About this exhibition
Museum Exhibition Dates: October 24, 2016 – December 16, 2016
Exhibition Locations: Museum of the White Mountains, Main Gallery
Opening Reception: October 26, 5-7pm
Curatorial Committee:
This exhibit pairs contemporary professional New England regional poets and printmakers with PSU student work with the common theme of responding to the White Mountains as a place.
Lesson Plans (pdf):
- Exhibit Visit Experience
- Pass the Paper and Print hands on activity
- Aesthetic Scanning: Lesson Plan Information for Teachers
- Aesthetic Scanning worksheet
- Responding with Words and Images
Poetry
Finding Place on Paper: Contemporary Poets Explore the White Mountains (pdf)
Prints
- “Crossing Points, Indian Leap,” Dawn Blanchard. Solar etching, 2016
- “Lafayette, Lincoln, Little Haystack, Liberty, Flume,” Dawn Blanchard. Etching, 1999
- “Summit Winds and Granite Roots,” Dawn Blanchard. Mezzotint, 2005
- “Birches,” Paulette Brace. Printing ink on Arches Cover Paper, 2014
- “Along Franconia Ridge,” Matt Brown. Color woodblock print, 2014
- “Mt. Washington from Little Haystack,” Matt Brown, 2014
- “The Brook in Winter,” Terry Downs. Etching and aquatint, 2016
- “Ulysses,” Terry Downs. Etching; Burin engraving, 2016
- “Landscape,” Roger P. Goldenberg. Monotype; Etching ink (charbonnel) on Rives Bfk, 2013
- “10,000 Years Later,” Roger P. Goldenberg. Monotype; Etching ink (charbonnel) on Rives Bfk, 2013
- “The Lone Birch,” Loretta CR Hubley. Etching on rag paper with water based paint, 2016
- “Stream Falling into the Basin,” Loretta CR Hubley. Etching on rag paper, 2016
- “Cove,” Margaret V. Merritt. Copper etching/ aquatint, 2015
- “Sentinel,” Margaret V. Merritt. Copper etching/ aquatint, 2012
- “The Flume, Circa 1870s,” Annette W. Mitchell. Block print/ sumi ink on Arches Cover White, 2015
- “Along the Coppermine Trail,” William Mitchell. Silkscreen, 2016
- “February Morning, Mt. Washington,” William Mitchell. Silkscreen, 2016
- “Vista Way,” William Mitchell. Silkscreen, 2016
- “Barret on Moriah,” Christopher Hill Morse. Framed etching and Aquatint hand pulled a la ppoupee in color, 2014
- “Covalent Bond,” Christopher Hill Morse. Framed etching and Aquatint hand pulled a la poupee in color, 1999
- “The Ghost of Lincoln,” Christopher Hill Morse. Framed etching and Aquatint hand pulled a la ppoupee in color, 2015
- “Let the Power Flow,” Katama Murray. Linoleum Relief; linoleum block and black ink, 2016
- Detail, “Winter Blue,” Kimberly Anderson Ritchie. Cyanotype Prints on Panel, 2016
- “Glacier Falls,” Maryellen Sakura. Monoprint, 2016
- “Solace,” Maryellen Sakura. Monoprint, 2009
- “White Mountain Gorge, NH,” Jane Grant Tentas. Reduction Block Print, 2015
- “White Mountain Stream,” Jane Grant Tentas. Reduction Block Print, 2015
- “Path in the Woods,” Jude Valentine. Lithograph and monprint on Arjomari paper, 2013
- “Gateway,” Jude Valentine. Lithograph and monprint on Arjomari paper, 2013
- “Time in the Forest,” Jude Valentine. Monprint on Arjomari paper, 2016
The MWM is supported in part by a grant from the New Hampshire State Council on the Arts and the National Endowment for the Arts.